Where to begin. Oh yeah, HARMONY. These people - especially the ladies - can sing like you wouldn't believe. Harmony can be annoying in large doses; whether it's simple ( I'm looking at you, Civil Wars) or complex (hey Crosby Stills and Nash... We get it), too much harmony is the same as too much anything - egregious.
That being said, the Dirty Projectors wield harmony like a honed scimitar. This metaphor is twofold:
1. If you see someone swinging a scimitar, you're probably going to ask yourself "what the hell is that person doing?". In the same way, when you first hear "when the world comes to an end" you'll be incredulous.
2. Someone who is a scimitar expert is most likely both technically brilliant and really creative. Make the connection yourself.
Next is IRREGULARITY. Verse/chorus/verse/chorus/bridge/chorus is left on the doorstep like a bastard child and replaced with... Something. Very refreshing, and the irregularity serves a dual purpose; when they write a song like "stillness is the move," the steady rhythm sounds fresh to death. Being a closet Rush fan, I have a soft spot for irregular timing, especially when combined with
ESOTERIC AND UNCONVENTIONAL LYRICS
Ok I'm almost home so here's your intro playlist. Venture into the album Bitte Orca at your own risk, it's hard to listen to. But Swing lo Magellan is gold! Hit that first to build up your tolerance, then take a shot of Bitte Orca and, if you're really feeling frisky, Rise Above.
Stillness is the move
No intention
On and ever inward
Two doves
About to die
Impregnable question
Unto Caesar
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